
So Why?
A release associated with the Berlin years and Harris Johns. Full credits and chapter placement are awaiting confirmation.
Explore release
Underground and gritty
The journey continues in Berlin: another city, another chapter of artistic work. Anouschka played the open-mike circuit and the small stages, made a pop-rock album and worked in underground theatre. So Why? and the connection with Harris Johns belong to the archive being assembled here.
An editorial introduction based on the artist’s supplied outline. Dates, credits and cross-chapter associations will be confirmed as the original archive is added.

A release associated with the Berlin years and Harris Johns. Full credits and chapter placement are awaiting confirmation.
Explore release
An album of demos by Anouschka. Full credits and release details are coming soon.
Explore releaseOpen any release for its official lyrics and listening links. Unprovided material is marked coming soon.
A 2013 album review of ‘Hollywood Ending’.

“Anouschka offers sensibilities like Ricky Lee Jones, Bonnie Raitt, and Stevie Nicks. A lot of rock with some blues. You can tell she knows her music.”
“The nomadic Anouschka calls on Folk, Bluegrass, Jazz and the like for influence and inspiration… Nice and Easy.”

“There are songs that seemingly don’t do anything to you, but when you try to push them away - you cannot. That’s the case of ‘Beautiful but Damned’.”
“Silently is a Bob Dylan level one… it also contains everything needed for thousands of interpretations - from folk to heaviest blues rock.”
“Anouschka is a master of versatility… she is at the same level of Norah Jones and Shania Twain and Ms. Joan Osbourne. Her lyrics have depth with a wink.”
A long-form interview in German by Dietrich Gastrock, held in the artist’s archive.

“Packed in wonderful pop (‘Silently’) to rock (‘So Why?’).”


Verified material will be added from the artist’s archive. No appearance or coverage is claimed.
Coming soon